It is amazing what can create
a conscientious approach to the usual eye pattern. Set the standard:
the main male protagonist (1), A friend of the protagonist (1), A
childhood friend of the protagonist (1), The girlfriend of the
protagonist, tsundere (1), A girl in glasses (1 ), a girl withnekomimi
(1), a transvestite boy (1) .
Of the same components we get a completely new product. In place of antisocial shy OYaShu comes asocial intellectual Rintaro, replaced by hysterical tsundere - cold-blooded Kuris, to replace the utopian Japanese school - utopian and inadequate home laboratory. And like in terms Mayuri has moe-hundreds of recognizable characters, and Kiryu is clearly recognized as yandere, but here the authors are no longer limited to the stereotypical bone: and there Mayushi, saving Rintaro, is no longer be helpless moe-fool, and Kiryu, in search of a place to work for settling Brown does not seem fixated sotsiopath. Feyris - two-dimensional, according to Daru, the soul! - Breaks the need to sacrifice their lives or father's girlfriend. The desire to become Rukako girl - it would seem, is too curious item for anime with a claim to a thriller - is supported by compelling arguments. Stencil breaks, and the characters are much deeper than typecasting, which are designed to match.
Of the same components we get a completely new product. In place of antisocial shy OYaShu comes asocial intellectual Rintaro, replaced by hysterical tsundere - cold-blooded Kuris, to replace the utopian Japanese school - utopian and inadequate home laboratory. And like in terms Mayuri has moe-hundreds of recognizable characters, and Kiryu is clearly recognized as yandere, but here the authors are no longer limited to the stereotypical bone: and there Mayushi, saving Rintaro, is no longer be helpless moe-fool, and Kiryu, in search of a place to work for settling Brown does not seem fixated sotsiopath. Feyris - two-dimensional, according to Daru, the soul! - Breaks the need to sacrifice their lives or father's girlfriend. The desire to become Rukako girl - it would seem, is too curious item for anime with a claim to a thriller - is supported by compelling arguments. Stencil breaks, and the characters are much deeper than typecasting, which are designed to match.
The same can be said about the plot. The polarity of the confrontation, "the protagonist and his team VS the world evil" is broken, the main character consistently in conflict with each negative case scenario, with the goal of the conflict is declared on a purely human laws: not in the name of goodness and justice, and to save this or that a loved one that does not necessarily lead to good and justice.
The
proverbial happy ending here - just a natural development of events
once the main character at the disposal of an infinite number of
possible time travel, it would be foolish to assume that he will not
use it. Psychologically, all right, but from the perspective of the
last series of art and do not reach the level of catharsis. But
instead of the final catharsis "Steins; Gate" offers a
tempting thing for at least 24-episode suspense of a good sci-fi
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